Jorge Blanco: Solo Blanco
Jorge Blanco, renowned for his colorful sculpture installations with the lyricism and grand proportions that heighten a viewer's sense of imagination, presents SOLO BLANCO at Alfstad& Contemporary, April 19 – May 19. This is Blanco’s first solo exhibition in Sarasota, where the Venezuela-born artist has lived and worked for two decades. “It brings me much joy to finally have my first solo exhibition in my adopted hometown of Sarasota,” says Blanco.
Jorge Blanco is celebrated for the geometric, often representational, and always playful, industrial-inspired sculptures he first fabricated from thick flat slabs of painted wood, bronze, and most recently aluminum. Playing off of Alexander Calder's Stabile's of the 20th Century, Blanco's stationary abstract sculptures can portray figures, and everyday objects, with few simple forms—a semi-circle and hole become a Picassoesque face on top of shapes perhaps pulled from a Miro painting that forms the foundation of the figure. The works, filled with humor and amusing proportions, evoke whimsy and delight. “My goal is to produce happiness,” says Blanco, “and, to have viewers of my work enjoy the beautiful part of life.”
In the early 80s, the artist began receiving recognition for a comic strip he produced about an exiled man on a tiny island with a single palm tree—the perfect setting for a comical Castaway. Simultaneously, Blanco was in charge of all graphics designed for the Museo de Los Niños de Caracas (Children’s Museum of Caracas), an institution comparable to a small Disney-land that aimed to teach children about science, technology, culture, and arts. It was there that Blanco created the Museum's mascot, a playful and curious child named Museito, as well as the institution’s entire collection of graphics, signage, publications, animations and promotional materials. That playfulness and whimsy, along with the art historical reference of Klee, Calder and Miro is apparent in all of Blanco’s internationally acclaimed sculptures.
While, Blanco’s sculptures can be found in private collections throughout more than forty countries, the increasing monumentality of the artist’s works can now be found as public sculptures in thirty locations spread over the continents of South America, Asia, and North America. The Alfstad& Contemporary exhibition will to be the first to include both large and moderately scaled works by Blanco in the same setting. Included are nine powder coated aluminum sculptures ranging from tabletop scale to the 14-foot grand scale, Zethyr (the Messenger of Spring).
In continuation, Blanco’s 18-foot-tall BRAVO! sculpture will be unveiled as the City of Sarasota’s newest Public Artwork late summer this year. “This exhibition gives me the rare opportunity to feature some of my favorite large-scale Public Artworks at the same time as my newest smaller-scaled sculptures.”